Orban: The Man Who Brought Down the Walls of Constantinople – Part 2

For 53 days, the forces of the Ottoman Empire shook what was left of the Eastern Roman Empire (known as Byzantium, or the Byzantine Empire) until they were able to breach the massive walls of Constantinople, conquering the last standing remnants of the once mighty Roman Empire.

Sultan Mehmed II was so pleased with Orban’s massive, destructive cannon that he wanted another twice its size! Orban headed back to his foundry in Edirne (Adrianople) acquiring more timber and bronze, and in three months he produced a twenty-seven-foot-long monster that had a diameter of 2.5 to three feet (76.2 to 91.44 cm) and could fire a stone projectile weighing between 1440-1500 lbs (653 – 680 kg).

[Read Part 1]

Moreover, to make sure this weapon fire properly without exploding, the barrel was walled with eight inches (20 cm) of solid bronze to absorb the force of the blast. This massive weapon was finished in January 1453.

Citizens were warned in the surrounding area not to panic if they heard a loud boom:

“In January [the Sultan] decided to test the cannon which the Hungarian had made. It was carefully set in position before the main gateway leading into the palace [at Adrianople] which he had built that year, the ball was fitted into it, and its ration of powder weighed out. It was planned to fire it the next morning, and public announcements were made throughout Adrianople, to advising everyone of the loud and thunderous noise which it would make so that no one would be struck dumb by hearing the noise unexpectedly or any pregnant women miscarry. In the morning the gunpowder was lit, there was a great rush of hot air, and the shot was driven forth, leaving the cannon with a loud explosion which filled the air with clouds of smoke. The sound was heard a hundred stadia away, and the shot travelled a thousand paces from the point of firing, making a hole six feet deep at the point where it landed.”

Seeing potential in this new weapon, Mehmed ordered the production of more, but in smaller caliber. Once finished, the number of cannons produced was 14 large and 56 small; all of which would be used to batter the walls of Constantinople.

On the Move, Setting Up and Firing!

After the cannons had been tested and they were deemed ready for service, the Sultan Mehmed sent out the order to his officers to muster the forces and meet at the Ottoman capital of Edirne. The size of the Ottoman force that was to lay siege to Constantinople is uncertain. Some suggest the Ottoman army was 50,000–80,000 or 80,000-100,000 troops. Others say 120,000 and some go as high as 300,000 with 120,000 non-combatants in attendance.

Map of Constantinople (1422) by Florentine cartographer Cristoforo Buondelmonti is the oldest surviving map of the city, and the only one that predates the Turkish conquest of the city in 1453 (Public Domain)

Once the army arrived outside the walls of Constantinople, much of the smaller artillery likely accompanied the main force. As for the heavier cannon pieces, particularly the famous Basilica, or the Ottoman Cannon, it took 70 oxen and 10,000 men even though other sources suggest only 1,000 men. The move from Edirne to Constantinople was a distance of 140 miles (225 kilometers).

Bronze cast Ottoman bombard, Cast in the 15th–16th century,  Fired shots of 1,000 lbs. (453 kg) (CC BY-SA 3.0)

The Long Haul

Moving the large cannon, as one can image, was a laborious task. To move this gargantuan weapon of war, the tube had to be lifted and placed on a number of attached wagons, which as mentioned, were pulled by many oxen. Scouts went ahead to report back of the terrain that lied ahead, while the men with the cannon had to help guide, push, and pull the wagons and beasts over the rolling Thracian countryside. Those workers ahead were tasked with leveling out the road as best as they could and building wooden bridges over the rivers and gullies. The total distance this juggernaut made was two-and-a-half-miles a day, (about four kilometers).

By the time Orban’s Basilica cannon arrived the Ottoman troops were already in position, Sappers had already been making a clear path for fire by cutting down the orchards and vineyards, while others dug ditches the length of the walls of Theodosius and 250 yards (228 meters) from them. It is safe to say that many of the smaller cannons had been set in place since Mehmed grouped the cannons into 14 or 15 batteries pointed at the walls’ vulnerable points.

The restored walls of Constantinople (CC BY-SA 3.0)

Exploiting Weakness

According to the Venetian physician and eyewitness Nicolo Barbaro, “These cannon were planted in four places: first of all, three cannon were placed near the palace of the Most Serene Emperor, and three other cannons were placed near the Pigi gate, and two at the Cressu gate, and another four at the gate of San Romano, the weakest part of the whole city.” The larger cannons would receive support by smaller ones in each battery. As for Basilica, it was placed in front of Mehmed’s tent so that he could watch and praise his new toy. Basilica had to be lifted from the wagons and lowered into position using a block-and-tackle system onto a sloping wooden platform. To protect the cannon from enemy fire, the men built a wooden palisade with hinged doors that would be opened when it was time to fire. Greek politician, scholar, and historian Michael Critobulus (1410-1470) mentions this as well and states:

After this, having pointed the cannon toward whatever it was intended to hit, and having leveled it by certain technical means and calculations toward the target, they brought up great beams of wood and laid them underneath and fitted them carefully. On these they placed immense stones, weighting it down and making it secure above and below and behind and everywhere, lest by the force of the velocity and by the shock of the movement of its own emplacement, it should be displaced and shoot wide of its mark.

Furthermore, the Ottomans still relied on tradition siege machines such as the trebuchet to batter the walls.

Counterweight trebuchet by the German engineer Konrad Kyeser (c. 1405) (Public Domain)

Barbaro also mentions Basilica: “One of these four cannon which were at the gate of San Romano threw a ball weighing about twelve hundred pounds, more or less, and thirteen quarte in circumference, which will show the terrible damage it inflicted where it landed.”

Critobulus describes the firing of the cannon stating: “And the stone, borne with enormous force and velocity, hit the wall, which it immediately shook and knocked down, and was itself broken into many fragments and scattered, hurling the pieces everywhere and killing those who happened to be nearby.”

Giant Ammunition

If the size and weight of the cannon were not enough, the ammunition was also another weightier matter. To produce such ammunition, it had to be hewed from the rock and shaped. The stone balls used were made on the north coast of the Black Sea. Besides the stone balls, there was a large need for saltpeter (potassium nitrate). Not only did the crews man, load, fire, and reposition after each shot, but they also repaired what they could. This went for all the cannon batteries.

Critobulus mentions that when the cannon was fired, the impact sometimes “demolished a whole section, and sometimes a half-section, and sometimes a larger or smaller section of a tower, turret or battlement. And there was no part of the wall strong enough or resistant enough or thick enough to be able to withstand it, or to wholly resist such force and such a blow of the stone cannonball.”

Shots fired from the Basilica sometimes did not hit their target but instead flew over the wall and traveled up to a mile into the city. As the ball came down, it would mow through humans and property before settling into the ground, causing a quake felt for two miles.

Assaulting under Fire and the Final Explosion

The 70 cannons of various sizes hurled stone projectiles continuously at the walls for 53 days. One can only imagine the psychological impact the cannons had on the citizens and defenders alike: the sound of loud sounds of stone balls flying right over your head and smashing into buildings, with the added knowledge that death was a matter of chance and nearly a certainty.

Sultan Mehmed II – Mehmed the Conqueror (Public Domain)

Sultan Mehmed launched assault after assault, during which his cannons could punch holes through walls or did enough damage that debris fell and created a ramp from which his armies could reach the breach in the wall. However, defenders on the walls could push and keep the invaders back.

The Fall of Constantinople, illustration from ‘Hutchinson’s History of the Nations’, 1915 (Public Domain)

While the Byzantine army did not have sufficient manpower to defeat the Ottoman army in a head-on battle, the walls of Constantinople provided much safety and support. Understand that the Ottoman cannons took time to fire, which in turn allowed the defenders on the walls to repair the breaches made. In futility, Mehmed continued launching assaults that failed each time.

Mehmed’s strategy, as Roger Crowley states, “was attritional—and impatient,” or what I like to call attrition through impatience. Mehmed knew that as long as his cannons shot holes through the walls and he launched assault after assault, the citizens and defenders would soon give up. The Greek scholar Melissenos, who was not there but collected articles that described the action a century later, mentions that the “assault continued night and day with no relief from the clashes and explosions, crashing of stones and cannon-balls on the walls, for the Sultan hoped in this way to take the city easily, since we were few against many, by pounding us to death and exhaustion, and so he allowed us no rest from attack.” While wave after wave of Ottoman attacks continued along with the constant bombardment, Basilica began to break.

Holding a Tiger by the Tail

While Basilica was an awesome sight and sound to those firing the cannon and a terror to those receiving its wrath, truth be told, the weapon was more of a burden than a blessing. Loading and re-aiming the cannon took much time, and it could only fire seven times a day. Another major issue with the cannon was that producing such a weapon on such a large scale and under a deadline worried Orban—and rightfully so.

Using the colossal canon was like grabbing a tiger by the tail. It was, in effect, employing something powerful and dangerous that could hurt the wielder as much as any target.

An expert iron founder and engineer, Orban, noticed that hairline fractures began appearing on the cannon. After each shot, the crews had to quickly pour oil onto the barrel to prevent cold air from enlarging the fissures. Even when they tried to fit iron hoops around the barrel, it did little to support it. However, pouring warm oil was not enough, and the cannon eventually “cracked as it was being fired and split into many pieces, killing and wounding many nearby.” Those killed in the blast supposedly included Orban. However, that is what Christian chroniclers wish happened.

Taking the City: The Fall of Constantinople and the Rise of Artillery

The entry of Sultan Mehmed II into Constantinople, painting by Fausto Zonaro (1854-1929) (Public Domain)

On 29 May 1453, the Ottoman forces of Mehmed finally made their way into the city. They defeated the remaining defenders, killing the last Roman Emperor Constantine XI in the streets, ending an Empire from 27 BC – 1453 CE.

Mosaic of Emperor Constantine I with a representation of the city of Constantinople (Public Domain)

While Mehmed made Constantinople the new capital of the Ottoman Empire, the cannon made by Orban also had an impact. The impact of Orban’s cannon had caused little damage but much noise. In other words, Orban’s attempt to produce a cannon of such magnitude showed the potential that could be harnessed if trial and error could be applied with sufficient time and testing. This would happen much later in Western Europe during the Renaissance and beyond. The cannon produced by Orban was nothing more than a colossal weapon that produced lots of smoke and loud noise and, on occasion, landed on its target. Overall, the weakening and destruction of the walls of Constantinople were not due to just Basilica but the combination of all the firepower at the Ottoman’s disposal—even the trebuchets.

The Tsar Cannon (caliber 890 mm), cast in 1586 in Moscow. It is the largest extant bombard in the world. (CC BY 3.0)

Basilica only made a name for itself due to its sheer size, overshadowing the other cannons in their arsenal at the siege of Constantinople of 1453.

The final siege of Constantinople, contemporary 15th-century French miniature, 1455 (Public Domain)

Top Image: Detail; The entry of Sultan Mehmed II into Constantinople, painting by Fausto Zonaro (1854-1929) (Pubic Domain)

By Cam Rea

References

Franz Babinger, Mehmed the Conqueror and His Time

Gábor Ágoston, Guns for the Sultan: Military Power and the Weapons Industry in the Ottoman Empire (Cambridge Studies in Islamic Civilization)

Lars Brownworth, Lost to the West: The Forgotten Byzantine Empire That Rescued Western Civilization

Marios Philippides, Walter K. Hanak, The Siege and the Fall of Constantinople in 1453: Historiography, Topography, and Military Studies

Michael Kritovoulos, The Siege of Constantinople in 1453, according to Kritovoulos, [Online] Available at: http://deremilitari.org/2016/08/the-siege-of-constantinople-in-1453-according-to-kritovoulos/

Nicolo Barbaro, The Siege of Constantinople in 1453, [Online] Available at: http://deremilitari.org/2016/08/the-siege-of-constantinople-in-1453-according-to-nicolo-barbaro/

Roger Crowley, 1453: The Holy War for Constantinople and the Clash of Islam and the West.

The Guns of Constantinoplehttp://www.historynet.com/the-guns-of-constantinople.htm

Stephen Turnbull, The Walls of Constantinople AD 324-1453 (Fortress).

Suraiya Faroqhi, The Ottoman Empire and the World around It.

Bernard S. Bachrach, Kelly DeVries, and Clifford J. Rogers, The Journal of Medieval Military History, Vol II.

Orban: The Man Who Brought Down the Walls of Constantinople – Part I

For 53 days, starting on Friday, 6 April, the forces of the Ottoman Empire shook what was left of the Eastern Roman Empire (known as Byzantium, or the Byzantine Empire) until they were able to breach the massive walls of Constantinople on Tuesday, 29 May 1453, conquering the last standing remnants of the once mighty Roman Empire. The conquest of Constantinople could have been drastically different were it not for a man by the name of Orban and his massive cannon.

The Dardanelles Gun, cast in 1464 and based on the Orban bombard that was used for the Ottoman besiegers of Constantinople in 1453

The Dardanelles Gun, cast in 1464 and based on the Orban bombard that was used for the Ottoman besiegers of Constantinople in 1453 (Public Domain)

Who Was Orban?

Orban (also known as Urban) was a cannon caster of possible Hungarian origin (but this is disputed). A Byzantine Greek historian from Athens by the name of Laonikos Khalkokondyles (c.1430 – c. 1470) mentions something different:

There was an artilleryman of the king [sultan] called Orbanos. He was a Dacian by birth and earlier he had spent time with the Greeks. Because he needed a better salary for himself, he left the Greeks and came to the Porte of the king [sultan].

Khalkokondyles mentions that Orban was not Hungarian but “Dacian.” To clarify, the term Dacian he used shows his love of antiquity, but the term would not have been familiar to the uneducated. Most people during that time would have no idea what or where Dacia was. The name Dacia comes from ancient Rome, and the states of Wallachia and Transylvania were within its territory. It is possible that Orban was Hungarian and went south seeking those who could use his services. Some have even suggested the Orban may have been German. But his method of casting cannons was the biggest giveaway to show that Orban was an Eastern European from Hungary, Wallachia, or Transylvania.

Earliest picture of a European cannon, Walter de Milemete, 1326

Earliest picture of a European cannon, Walter de Milemete, 1326 (Public Domain)

Orban promoted his services by casting bronze bombards. The bronze casting of cannons or bombards had been abandoned in Western Europe by the 1440s. This was because Western cannon casters found that manufacturing smaller pieces made from iron was easier to deal with. Therefore, Orban’s methods in casting cannon suggest that his origins were probably Eastern European.

Pumhart von Steyr, a medieval supergun, Austria.

Pumhart von Steyr, a medieval supergun, Austria.  (Public Domain)

Looking for a Deal

Orban, soon to be the last Byzantine emperor, visited the court of Byzantine Emperor Constantine XI Palaiologos (8 February 1405 – 29 May 1453) to pitch his cannons.

Constantine XI Palaiologos

Constantine XI Palaiologos (Tilemahos Efthimiadis /CC BY 2.0)

Orban entered Constantinople’s capital and offered his services to the emperor. The emperor was delighted to meet him because he was interested in using the new technology to his advantage. He had seen it first-hand at the Hexamilion, a defensive wall constructed across the Isthmus of Corinth, and was impressed by the power of this new war device as it smashed through rock.

Excavation of the Hexamilion wall

Excavation of the Hexamilion wall (CC BY-SA 3.0)

However, Constantine did not have the resources, such as timber for the foundry fires or even the money to offer Orban to build the desired weapons. Constantine also did not want the man to leave his capital and sought to keep him as long as he could. In order to do this, he provided a stipend from scraps to keep the man. This only lasted so long that after the money ran dry, Orban left the city seeking a new customer. He made his way to the court of Ottoman Sultan Mehmed II (30 March 1432 – 3 May 1481), best known as Mehmed the Conqueror (the very man who would soon lay waste to Constantinople).

Mehmed II in Edirne (Public Domain)

Orban made his way to either the Ottoman capital located west of Constantinople at Edirne, historically known as Adrianople, in the northwestern Turkish province of Edirne, or Rumelihisarı (also known as Rumelian Castle, which means the “Strait-Cutter Castle”), Mehmed’s fortress located in the Sarıyer district near Constantinople on a hill on the European side of the Bosphorus.

Rumelihisarı as seen from the Bosphorus strait, Istanbul, Turkey, built by Sultan Mehmed II between 1451 and 1452, before the Fall of Constantinople (CC BY-SA 2.0)

Once Orban arrived, he requested an audience with Mehmed to sell him his services. After Mehmed was informed of Orban’s engineering skills, he was happy to welcome this traveler, show him that his skills would be appreciated, and showered him with gifts. Mehmed promised Orban he would give him the highest wage besides the many gifts. Afterward, Mehmed asked Orban if it was possible to build a powerful enough cannon to breach the walls of Constantinople. Orban said, “I can cast a cannon of bronze with the capacity of the stone you want. I have examined the walls of the city in great detail. I can shatter to dust not only these walls with the stones from my gun, but the very walls of Babylon itself.”

The only thing Orban could not promise to Mehmed, and which he made clear, was that he could not determine the range. Mehmed overlooked this handicap and bade him to start work on the cannon immediately.

The restored walls of Constantinople

The restored walls of Constantinople (CC BY-SA 3.0)

The Dangerous Task of Constructing the Cannon in the Fires of Hell

Orban had a large and dangerous task ahead of him. Besides the difficulty in constructing cannons on such a scale, he had to design and create a furnace big enough for the job. Orban constructed two brick-lined furnaces faced with fired clay inside and out and reinforced with large stones. This was because the furnace needed to withstand high temperatures— beyond 1,000 degrees centigrade. It had to be enclosed on the outside by heaps of charcoal that were described as being “so deep that it hid the furnace, apart from their mouths.” Cannon making, like any new technology, was hazardous. An Ottoman traveler during the medieval period by the name of Evliya Chelebi visited a gun factory and made note of the dangers of such work that took place:

On the day when cannon are to be cast, the masters, foremen and founders, together with the Grand Master of the Artillery, the Chief Overseer, Imam, Muezzin and timekeeper, all assemble and to the cries of “Allah! Allah!,” the wood is thrown into the furnace. After these have been heated doe twenty-four hours, the founders and stokers strip naked, wearing nothing but their slippers, an odd kind of cap which leaves nothing but their eyes visible, and thick sleeves to protect his arms; for, after the fire has been alight in the furnaces twenty-four hours, no person can approach on account of the heat, save he be attired in the above manner. Whoever wishes to see a good picture of the fires of hell should witness this sight. 

Given that Orban did not have a thermometer, the foundry workers had to judge the right temperature based on sight. Once they felt comfortable, the workers started to throw in copper along with scraps of tin to make bronze. Acquiring copper was easy for the Ottomans, for their copper source was in Anatolia (Turkey), while tin came from outside sources. However, given the circumstances, the Ottomans likely acquired bronze bells from Christian churches to be melted and remolded into cannons.

Molten Metals and Evil Eyes

The process, as mentioned, was dangerous and required a keen sense of understanding the molten metals. In other words, Orban and the foundry workers understood that each piece of metal must be examined before being tossed into the cauldron. As for the dross that floated on the surface had to be carefully skimmed off using metal ladles. This doesn’t even mention the noxious fumes tin gives off, and on top of that, if the scrap metal lying around was wet, once thrown into the furnace, it would cause the water to vaporize, rupture the furnace, and cause an explosion that would kill or maim everyone close.

But of the metals being added into the cauldron, tin was held with some superstition when it was time to throw it in. According to Evliya:

[…]the Vezirs, the Mufti and Sheiks are summoned; only forty persons, besides the personnel of the foundry, are admitted all told. The rest of the attendants are shut out, because the metal, when infusion, will not suffer to be looked at by evil eyes. The masters then desire the Vezirs and sheiks who are seated on sofas at a great distance to repeat unceasingly the words “There is no power and strength save in Allah!” Thereupon the master-workmen with wooden shovels throw several hundredweight of tin into the sea of molten brass, and the head-founder says to the Grand Vizier, Vezirs and Sheiks: “Throw some gold and silver coins into the brazen sea as alms, in the name of the True Faith!” Poles as long as the yard of ships are used for mixing the gold and silver with the metal and are replaced as fast as consumed.

Birth of a Terrible Monster

Before the cannon that would bring the walls of Constantinople tumbling down, Orban built a prototype mounted to the walls Rumelihisarı. Doukas, (c. 1400 – after 1462), a Byzantine historian under Constantine XI, spoke of this cannon, stating, “They began amassing bronze and the technician [sc. Orban] created the form of the cannon; and in three months a terrible and unprecedented monster was constructed and cast.”

Illustration of a 15th-century trade galley from a manuscript by Michael of Rhodes (1401–1445) (Public Domain)

The cannon in question was made of bronze and was capable of firing a stone ball weighing roughly 600 lbs. (272 kg). Mehmed wanted to clarify that any ship wishing to pass through the Bosphorus Strait must pay a toll or face repercussions. Not long after, a Venetian merchant ship was about to pass through the Bosporus Strait, but it was ordered to stop and pay the tax. The Venetians were perplexed and refused to obey. They decided to make a run for it and paid the price.

“In those days a big ship of the Venetians was sailing down the narrows [the Bosphorus] by the town of Baskesen [“Head Cutter,” that is, Rumeli Hisar], commanded by Antonio Rizzo…they fired a very large stone from the castle and it struck the ship.” After their ship was blasted out of the water, the shocked Venetians who made it to shore were executed along with their captain. As well, the body of the captain was impaled on the banks as a public warning. After seeing what the massive cannon could do, Mehmed wanted something bigger.

Bigger and Better

Mehmed was so pleased with the cannon that he wanted another twice its size! Orban headed back to his foundry in Edirne (Adrianople), acquiring more timber and bronze. In three months, he produced a twenty-seven-foot-long monster that had a diameter of 2.5 to three feet (76.2 to 91.44 cm) and could fire a stone projectile weighing between 1440 and 1500 lbs (653 and 680 kg).

Muzzle view of the Great Turkish Bombard Cannon

Muzzle view of the Great Turkish Bombard Cannon (Simon Cope/CC BY-SA 2.0)

Moreover, to make sure this weapon fires properly without exploding, the barrel was walled with eight inches (20 cm) of solid bronze to absorb the force of the blast. This massive weapon was finished in January 1453. Citizens were warned in the surrounding area not to panic if they heard a loud boom:

In January [the Sultan] decided to test the cannon which the Hungarian had made…

Top Image: Modern painting of Mehmed and the Ottoman Army approaching Constantinople with a giant bombard, by Fausto Zonaro (Public Domain)

By Cam Rea

References

Franz Babinger, Mehmed the Conqueror and His Time

Gábor Ágoston, Guns for the Sultan: Military Power and the Weapons Industry in the Ottoman Empire (Cambridge Studies in Islamic Civilization)

Lars Brownworth, Lost to the West: The Forgotten Byzantine Empire That Rescued Western Civilization

Marios Philippides, Walter K. Hanak, The Siege and the Fall of Constantinople in 1453: Historiography, Topography, and Military Studies

Michael Kritovoulos, The Siege of Constantinople in 1453, according to Kritovoulos, [Online] Available at: http://deremilitari.org/2016/08/the-siege-of-constantinople-in-1453-according-to-kritovoulos/

Nicolo Barbaro, The Siege of Constantinople in 1453, [Online] Available at: http://deremilitari.org/2016/08/the-siege-of-constantinople-in-1453-according-to-nicolo-barbaro/

Roger Crowley, 1453: The Holy War for Constantinople and the Clash of Islam and the West.

The Guns of Constantinoplehttp://www.historynet.com/the-guns-of-constantinople.htm

Stephen Turnbull, The Walls of Constantinople AD 324-1453 (Fortress).

Suraiya Faroqhi, The Ottoman Empire and the World around It.

Bernard S. Bachrach, Kelly DeVries, and Clifford J. Rogers, The Journal of Medieval Military History, Vol II.